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When in amsterdam you have the incredible choice of three Rembrandt experiences:
1) Some of the best and grandest real Rembrandt paintings in the Rijksmuseum.
2) Experiencing Rembrandthuis, the home he lived and worked in, with some great paintings and numerous etchings.
3) Seeing all 330 Rembrandt paintings in the Magna Plaza building behind the Royal Palace/Town Hall.
Fast track entry in ALL Amsterdam museums. Avoid spending time waiting in museum queues. Enter the museums together with me.
In the Amsterdam Rijksmuseum we will stand in front of a portrait of a young female, made by Rembrandt in 1639, executed in oil on a panel made of poplar wood, 107 x 82 cm. She is youthful, incredibly richly dressed and bedecked with jewelry, obviously starting out as a debutante. The portrait is arguably Rembrandt's most exuberant and richly executed 3/4 length portrait of any person in the Amsterdam upper merchant class, possibly advertising this young girl as being available as debutante for the Amsterdam marriage market.
The painting now hangs in the Rijksmuseum, Amsterdam but still property of the Family Van der Weede Stichting (Foundation) and had been lent out in perpetual usufruct to the Rijksmuseum starting in 1897. For centuries the painting was labeled as an anonymous young woman. Historical researcher Dr Isabella van Eeghen studied the family trees of both Van der Weede and Trip and came up with a possibele identification as Maria Trip (1619-1683). In the online Rijksmuseum catalogue she is now identified as "possibly" Maria Trip, but the label in the museum itself does not show a questionmark.
We also discuss fashion, including transcucent fabric and lace from Kamerijk, Flanders. Detailed analysis, with a text in Dutch, Rijksmuseum Kunstkrant, in this PDF. The panel may have been cropped in the past, now resulting in a fake signature (lower left) which may refer to the one-time real signature and year on the lost section.
If she is indeed Maria Trip (which we will accept for now), then she is the 20 years old daughter of the ultra rich Elias Trip, who made fortune in wheat, tar and iron (from England and Germany) and who branched out with his brother-in-law Louis de Geer in the iron and cannon industry. A hot ticket on the marriage market, she married the ultra rich Balthasar Coymans two years later.
However, if she is not identified as Maria Trip then she is possibly linked to a pendant paiting of a male, on the same type of poplar wood, with the same measurements, in a painting of much lesser quality - that exists in a private collection. This historic family line research came to a dead end.
In her days, a set of large pears of similar size were extremely difficult to purchase and therefore very costly. The diamonds shown here in the ear were less costly and toned down by giving them a background of blackened silver foil, this in tune with the then current Calvinist tenets of not showing too much wealth.
When we stand in front of the painting, I will explain how Rembrandt crafted these incredible realistic pearls in many layers of paint. He was known to keep painterly secrets to himself and did not tell students how to reach the zenith of realism such as executed here in these pearls and the gossamer fabric. In that sense he was not an ideal teacher.
A good comparison can be made between the eyes on this painting and the eyes in the Uyttenbogaard portrait by Rembrandt (below). With a bit of luck they will hang close together when the Rijkmusem building reaopens in full size on April 14, 2013.
Rijksmuseum reopened, refurbished.
And 4 Vermeer masterworks.
Rijksmuseum tour. The glorious national collection.
More photos of the art works here
Sneak Preview Rijksmuseum reopens
Vermeer lectures and tours.
See Dali's opinion of Vermeer.
Vermeer and Neuroscience / Opthalmology.
Rembrandt tours incl the Maria Trip portrait.
English article on key portrait of Uytenboogaard.
Dutch/NL text Uytenboogaerd, Dutch .
See all 330 Rembrandt paintings in full size reproductions, in about 2 hours in the Magna Plaza building behind the Royal Palace/Town Hall
Nothing beats standing face to face in front of A REMBRANDT and viewing the real thing. Amsterdam is a fine place to do so because here we have the Rijksmuseum (State museum of art) and the Rembrandt House, the place where he actually lived and worked for many years.
Although leafing through illustrations in art books and images on the Internet are fabulous for study purposes, and indispensable in order to learn how to distinguish and compare, understand and classify, there is one experience paramount.
Standing face to face with an actual painting by Rembrandt or an actual etching by Rembrandt may become a thrilling and moving event.
The Rijksmuseum is the prime place for viewing paintings in Holland, although the collections in museums in The Hague (Mauritshuis) and Rotterdam (Boijmans) are a good alternative.
The paint surface: is it shiny and glassy-translucent like a Russian lacquer box (this is the successful style he invented and taught, called fijnschilderkunst or fine painting) or is it as rough and unkempt like bricklaying mortar? Did he succeed in combining both techniques within one and the same painting, like in the stunning Prophet Jeremiah lamenting the sacking of the temple in the Rijksmuseum.
Did he only use the fine style in the beginning of his career, and the rough style only later on, or did he move to and fro with those techniques throughout his life?
And what is the psychological wizardry and soul-searching he employes, even at a young age, as a young man of barely 22 or 24? What did Rembrandt write on that subject...? In a letter to Constantijn Huygens, the art lover and Secretary of State, Rembrandt used the term 'naetuereelste beweechgelikheijt'; would a translation in 'Most natural movement' be called for or are there other options for translation? If so, what does this imply?
Rembrandt and Lievens probably shared a studio in Leiden. This is the interior.
Expressive qualities in the art of painting: an eye painted by Rembrandt (to the left) . . . . . . . . and an eye by the head man of the St Luke Guild, Pickenoy (to the right)
Saskia and Rembrandt, their good years. Etching. Rembrandt belongs to the class of best etchers in teh world. On show in the Rembrandthuis.
The Hundred Guilders Print, as an etching unfinished (according to Prof. Ernst van de Wetering) but nevertheless driven to extremely high cost in on auctions in Rembrandt's time.
And then over to the Rembrandthuis. the house in which he lived with Saskia and in which his children were born. The interior has been re-constituted based on the inventory list of his bankruptcy. It feels like walking into his studio and sale rooms, as if the great master has just walked out on doing some business and left you there to roam about on your own. On the top floor one can stand face to face with a good series of the actual etchings.
What sets Rembrandt apart from other artists like Duerer, Lucas van Leiden, Elsheimer? How fine or bold are Rembrandts results in the etching and engraving lines? Learn how to see and appreciate how he employed these fine or bold lines in the etching and engraving in order to get the 'Most natural movement'?
A bit of social history and the personal history will also serve to put Rembrandt in perspective. Was he really a cantankerous SOB who alienated the wealthy patrons after 1642, the year of the Nightwatch?
I will be there to assist you in viewing and I will help you to hone your own way of seeing. Art appreciation in front of the real thing.
Experience the famous Rembrandt paintings in Amsterdam, Holland in a new light! This is a fine way to celebrate the aftermath of Rembrandt's 400th birthday.
Imagine being the privileged guest of honour at the home of art historian Kees Kaldenbach. While sipping a fragrant cup of coffee or tea, you listen to a personalized (private or small-group) lecture and discussion on the astounding visual wonders that Rembrandt has bestowed upon us.
Afterwards, a short ride in my private car or by tram takes us to the nearby Rijksmuseum (additional entry fee). In the museum I will point out and explain the visual wonders of Rembrandt's technique; contents, brushstrokes, details, composition, colour.
You may also arrange this VIP treatment for business contacts or friends. This cultural organisation office will take care of a memorable experience. Lectures (in Dutch, English or German + translations into Japanese) are given in plain, accessible language. Thus you will be the beneficiary of tailor made scholar lectures* during your travels.
Click for Nederlands/Dutch.
Rembrandt lectures in Public speaking engagements Atlanta, Georgia, 2007.
In 2008 Drs Kees Kaldenbach published his museum guide on paintings by Rembrandt. Pubisher: Scriptio.
BBC 4 TV programme shoot in the Rijksmuseum, Amsterdam, March 28, 2013 just before the formal opening. Kaldenbach in red jacket. Behind the middle cameraman interviewer Andrew Graham-Dixon. The director approaching from the right.
In the middle: daughter Suzanne, who has not been there 12 years, Kees Kaldenbach and interviewer Andrew Graham-Dixon.
Drs. Kees Kaldenbach will be your private "scholar-lecturer on culture tours".*
*Martha Gellhorn, Travels with Myself and another, page 182.
It is a rare and unique privilege that the Rijksmuseum has linked from the main Rijksmuseum site to my site. Start at www.rijksmuseum.nl and select Collection, after which you choose Digital Collaboration and the Digital Vermeer House.
Drs. Kaldenbach is chairman of the Circle of Academic Tour Guides of the Netherlands and Flanders (CATON)
This shot in the Rijksmuseum is from about 2005.
Read client referrals and testimonials.
Spotting the Rich & Famous inhabitants in the Golden Age
Optional added items
Chauffeur driven sightseeing (perhaps for a visit on another day) is possible to these venues:
a) the Rembrandt House, Amsterdam, for an in-deph guided tour.
b) the Rembrandt City Walk and Public speaking engagements
c) the Royal Collection The Mauritshuis Museum in The Hague, which houses several renowned Rembrandt paintings, including his 'Anatomical Lesson of Dr Tulp'. Vermeer paintings may also be discussed there. Clients are kindly requested to sign a legal waiver in case of transport in my private car.
You will either be driven in the car of Mr. Kaldenbach, seating up to 3 to 4 passengers) or in a minibus (seating 4 up to 8 passengers). The minibus will probably be driven by Mr Hans who is both a geography teacher and a qualified taxi driver. During the ride he will be able to tell you fascinating details about landscape and human habitation.
Time in museum: over 1 hour. Optional time walking outside following Rembrands trail.
Read a biography.
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Fine Print / Legal issuesMoney-back Guarantee: In case of cancellation during the first 15 minutes, your money is returned in full (this does not apply for tuktuk). Bookings are finalized with a downpayment. I will send detailed instructions. Cancellation: The charges for cancellation more than 48 hours in advance are covered by your deposit. Charges for client cancellation 24-48 hours in advance: 25% of the agreed sum to be billed to the client's credit card. Charges for client cancellation less than 24 hours in advance: 60% of the agreed sum to be billed to the client's credit card. When booking, you agree to these arrangements.
About Art Historian Drs. Kees Kaldenbach:
Read a biography.
In July 2004 he was interviewed about Delft artists by Tetsuya Tsuruhara for the leading Japanese newspaper The Yomiuri Shimbun. In 2004 and 2005 he acted in an advisory role to additional BBC2, BBC3, BBC4 teams. Kaldenbach has written extensively on Vermeer and 17th century Delft, on Van Gogh and on other art history topics. Drs. Kees Kaldenbach will be your private "scholar-lecturer on culture tours".
It is a rare and unique privilege that the Rijksmuseum has linked from the main Rijksmuseum site to this site. Start at www.rijksmuseum.nl and select Collection, after which you choose Digital Collaboration and the Digital Vermeer House.
Further information is available on the web site: www.johannesvermeer.info
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Photo by Dick Martin.
In Rome, Italy I recommend ms. Bianca Baracchi, email@example.com
In Florence, Italy I recommend ms. Mary Ellen Lawrence MaryEllen@ItalyandMore.com, web site www.ItalyandMore.com
In Florence I also endorse Waldemar H. de Boer, PhD. www.arthistoryflorence.com
Inspiration for travelling artists
Reaction, questions? Read client testimonials.
Drs. Kees Kaldenbach, art historian, firstname.lastname@example.org Haarlemmermeerstraat 83hs, 1058 JS Amsterdam (near Surinameplein, ring road exit s106, streetcar tram 1 and 17).
Telephone 020 669 8119; cell phone 06 - 2868 9775.
Open seven days a week.
Amsterdam Chamber of Commerce (Kamer van Koophandel) number of Johannesvermeer.info / Lichaam & Ziel [ Body & Soul] is 3419 6612.
E mail esponses and bookings to art historian Drs. Kees Kaldenbach.
This page forms part of the 2000+ item Vermeer web site at www.xs4all.nl/~kalden
Launched April 15, 2004. Updated April 30, 2013.
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